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Cinematic Texts
Cinematic Texts–
This course is akin to an introductory college course in film studies, though not as rigorous. The course is very heavy on literary theory and takes a lot of abstract, philosophical, analytical thinking. The readings are philosophical and academic. Students must be able to apply, in writing, a wide range of theoretical ideas to the films we are watching. The vast majority of films fall into one or more of the following categories: silent, foreign (with subtitles), black and white, art house/indie films. Students who love philosophy and the art of cinema should do well in this class. Students who struggle with abstract thought, don’t like black and white, foreign, or silent films might want to avoid this class. Our readings are all articles taken from online sources.
Important topics and themes explored throughout the semester: the history of artistic, literary, and philosophical movements in film. We go deeply into semiotics (the study of signs and symbols), literary theory and criticism, a variety of genres, styles and movements (German Expressionism, Italian Neo-Realism, French New Wave, Film Noir, etc.), aesthetics, and narrative structures.
Unlike other literature courses where students can read at their own pace when and where they want to, films are shown once in class. This can pose an issue for students who miss class. Students are responsible to find the films and watch them on their own when they miss class.
This course may use a couple of R-rated films. These films were chosen for their artistic value, philosophical statements, and importance in film history. Permission slips will be needed to attend those viewings. Students who do not have a signed permission slip will be assigned an alternate assignment.
Turnitin.com:
id: 44885388, enrollment key: Kinberg3
Click here for Crash Course Home Page: Crash Course Film Studies Page
Week 1
Aug. 7: Introduction
Make a list of your 10 FAVORITE movies.
Make a list of the 10 BEST movies you have ever seen.
What are the 10 WORST movies you have ever seen?
Aug. 8:
Watch (and take notes) Crash Course Episode 4 and Crash Course Episode 5
Read Film School Rejects Film School Rejects , the OGs (pre 1910), Drama, Romance.
Answer: Explain the rapid advance of technology and its use in storytelling in the very early years of film making (300-500 words). Submit to Turnitin.com by 8:00 a.m.
In class:
Watch the 5 short films from the OG section: The Arrival of a Train, The Cabbage Fairy, A Trip to the Moon, The Big Swallow, and The Great Train Robbery.
Aug.12:
Read and watch Film School Rejects Film School Rejects, Science Fiction, Comedy; Watch Every Frame a Painting: Buster Keaton
Answer: Discuss the impact Buster Keaton had on directors of comedy that came after him. Due to Turnitin.com by 8:00 a.m.
In class:
Warm-Up #2: What kind of movies do you enjoy the most? Why? Give examples.
Watch Sherlock Jr.
Respond: Think about the original film techniques, stunts, plot, and character development. What did you think of the film? What stood out to you? Discuss the film as a comedic piece of art. 300-500 words Submit to Turnitin.com
Aug 14: Read Film theory explained – a beginners guide and Literary Theory: Understanding 15 Types of Literary Criticism. Watch Crash Course Episode 5 The Language of Film.
Answer: What is the purpose of employing theory and literary criticism when studying film? Give several examples from the readings. Be sure to use the language of film in your answer. Submit to Turnitin.com by 8 a.m.
In class:
Watch: Harold Lloyd | Film's First Underdog
Begin Safety Last
Aug. 16: Read Understanding Film Theory: An Essential Guide. Watch at least 2 of the videos linked to this site. (Sorry for all the ads on this site)
Summarize the two videos. Submit to Turnitin.com by 8:00 a.m.
In class: Finish Safety Last.
What did you think of the film? Discuss Safety Last from the perspective of two different film theories (3 paragraphs). Submit to Turnitin.com
Aug. 20: Watch and take notes on the three following videos Semiotics Lesson (10 min), Crash Course: Intro to Linguistics (11 min.), and Symbols clip from The Davinci Code (3 min.)
Be prepared for an open note quiz on the 3 videos.
In class: Watch The Kid
Aug. 22: Watch Shrek (2001) - A Marxist analysis
Answer: Discuss how Shrek can be viewed through a Marxist lens. How would you go about analyzing your favorite film from childhood through a theoretical lens? Submit to Turnitin.com by 8:00 a.m.
In class: Watch Structuralist Film Theory and Chuck Jones - The Evolution of an Artist and Jackie Chan - How to Do Action Comedy
Finish The Kid.
Respond: What did you think of The Kid? Discuss the film from a Marxist perspective and one other form of literary criticism (3 paragraphs). Submit to Turnitin.com.
Aug. 26: In class: In class essay comparing and contrasting Harold Lloyd, Charlie Chaplin, and Buster Keaton.
Your essay should compare and contrast the film-making techniques (Formalist/Structuralist) employed by each filmmaker. Discuss the social-cultural statements in each film (Feminist, Marxist, New Historicism). Which film did you enjoy most? Why?
Aug.28: Watch Crash Course Episodes 7 CC #7: German Expressionism and 8 CC #8: Soviet Montage. Think of some of your favorite scary movies or TV shows. How are some of the elements of German Expressionism employed to create the style of them? Submit to Turnitin.com by 8:00 a.m.
In class:
Watch Progression of Disney Gender Roles and Girl Power: Disney's Post-Feminist Princesses. Moana: Reclaiming Pocahontas and Mulan Respond to the videos with your own thoughts regarding Disney's portrayals of gender roles.
Watch German Expressionism, Explained
The Legacy of German Expressionism
Sunrise (1927) Spotlight: Outro with Cinematographer Robert Yeoman
Begin: Sunrise: A Song of Two Humans
Aug. 30:
In class:
Watch Sunrise
Sept. 3:
In class:
Finish Sunrise
Answer: What did you think of the film? What stood out to you? Explain the influence of German Expressionism on the style of the film.
Sept. 5:
What is the school of literary criticism that most appeals to you? Why? Explain the form of literary criticism. Give examples from some of your favorite films (3 paragraphs, 500-600 words). Submit to Turnitin.com by 8:00 a.m.
In class:
Watch Metropolis 1927 Fritz Lang Restored Version Full Movie
'24 Senior Superlative Nominations
Sept.9:
Read Individuality is an Illusion. Watch the video "The Tree Illusion"
Answer: What are your thoughts on the article? Give specific reasons to support your opinion. 300-500 words. Submit to Turnitin.com by 8:00 a.m.
In class: Finish Metropolis
Respond to the film both cinematically and thematically. What did you think? What stood out to you? What surprised you? At least 2 paragraphs, 300-500 words).
Sept. 11:
In class:
Silent Film Essay.
The following essay will have multiple sections. Read the writing prompt for each section carefully and answer each prompt completely. Each section will require multiple paragraphs.
Part 1: After viewing The Kid, Safety Last, Sherlock Jr., Sunrise, and Metropolis, describe your viewing experience with silent film. What challenged you? What surprised you? Which of these films did you like the best? Why?
Part 2: Analyze Sunrise employing at least 2 different schools of literary criticism.
Part 3: Analyze Metropolis employing at least 2 different schools of literary criticism (at least one theory must be different from the ones used to analyze Sunrise).
Part 4: What are your takeaways from this unit on silent film and literary theory?
Unit 2: Film Genre
Sept. 13:
In class:
Watch: The Shared Wonder of Film TED Talk
Respond to the video. What stood out to you? What did you think? What was the first movie that really shook you, made you think, made you feel, or deeply impacted the way you see the world or yourself in a new way? Submit to Turnitin.com
Breaking the Silence: Crash Course Film History #10
The Golden Age of Hollywood: Crash Course Film History #11
Week 8
Sept. 17:
In class:
A Night at the Opera -- Cosi Cosa Primitive
Make 'Em Laugh Classical
Les Misérables (2012) - One Day More Scene Classical
Opetaia Foa'i - We Know The Way (From "Moana") Classical
1:15 / 4:40 A Star is Born - Shallow Scene Classical
Battle Scene: Ed Sheeran vs. Jack Malik from Yesterday Revisionist
Star-Lord dance Guardians of the Galaxy Extension
Baby Driver, opening chase Extension
Baby Driver, opening credits Extension
Singing in the Rain Primitive
Singing in the Rain clip Classical
Singing in the Rain/ Babylon Revisionist
Shanghai Knights Market Fight Scene Extension
Simpsons Singing in the Rain Parodic
Sept 19:
Read: Moulin Rouge!: 8 Reasons Why It’s Baz Luhrmann’s Best Musical
In class: Begin Moulin Rouge
Sept. 23:
In class:
Finish Moulin Rouge
Review Moulin Rouge. What did you think? What stood out to you? Discuss the artistic value: the direction, the cinematography, the music, and the choreography. Discuss at least 1 form of literary criticism. (3 paragraphs) Submit to Turnitin.com
Sept. 25:
Read Film Noir and watch Defining Film Noir
What are the themes, styles, and tropes that define Film Noir? Submit to Turnitin.com by 8:00 a.m.
In class, begin
Sept. 27
In class: Finish Strangers on a Train
4 paragraphs. 1) What did you think? What stood out to you? 2) Discuss the artistic style: the direction, the lighting, and camera usage. What makes it film noir? 3) Discuss the film from a psychological perspective. 4)Why is Bruno more interesting than Guy? Why does Hitchcock make this decision? Submit to Turnitin.com by 8:00 a.m. on October 1
Week 10
October 1:
Strangers on a Train Review due by 8:00 a.m.
In class:
Watch The Western and Top 10 Westerns How to see: Westerns
Deconstructing the Myth: How Sergio Leone Uses Western Iconography Quentin Tarantino on the Western Genre
Answer: What are the tropes and iconography of The Western? Submit to Turnitin.com
begin The Good, The Bad, and the Ugly
October 4:
In class:
Continue :The Good, The Bad, and The Ugly
October 8:
In class: Continue The Good, The Bad, and The Ugly
October 10:
Listen to, and take notes on, Podcast:Westerns: American Mythology or Cultural History?
Answer: How could you use the views expressed in the podcast to do Feminist, Marxist, Post-Colonial, and New Historical reads of westerns? Be sure to discuss each of the guests' viewpoints. Submit to Turnitin.com by 8:00a.m.
In class:
Watch Analysis of The Good, The Bad, and The Ugly and The Western (Part 2): Once Upon A Time In Italy
Answer: What did you think of the film? What stood out to you? Discuss artistic choices (score, use of mise en scene, editing, costumes, sets, etc.). Which themes were expressed the best? Explain. Discuss the film as an operatic medieval morality play.
October 14:
In class:
Film Genre Essay:
Examine the various film genres we studied and explain the archetypes (iconography/tropes/codes), styles, and themes explored through them. Then, explain how and why the western has been employed as the body of American mythology. Finally, explain how The Good, The Bad, and The Ugly explores various issues questioning the validity of this mythology. What is the film saying about morality (“the cowboy ethic”), violence (individual and institutional), and the entire western genre?
Suggested Outline (not mandatory)
- Introduction
- Description of what constitutes genre (and levels)
- Musical/Moulin Rouge
- Film Noir/Strangers on a Train
- The Western as mythology, iconography/tropes
- The Good, The Bad, and The Ugly questioning mythology
- The Good, The Bad, and The Ugly and morality
- Conclusion
Unit 3: World Cinema and Artistic Perspectives
October 16
Read Why You Should Watch More Foreign Language Films
Explain briefly the reasons given in the article for watching world cinema. What is your experience with "foreign" films? Submit to Turnitin.com by 8:00 a.m.
In class: Watch What is neorealism? , Video Essay: How Italian Neorealism Brought the Grit of the Streets to the Big Screen begin icycle Thieves 1948 Full Movie With English Subtitles
October18:
In class:
Finish: Bicycle Thieves 1948 Full Movie With English Subtitles
Watch: Bicycle Thieves: A Video Essay
Bicycle Thieves Review | Film Club
What are your thoughts on Bicycle Thieves? What made it such an emotional film? How was it different in setting and character development from other films you have seen? Did you like it? Explain. 4 paragraphs. 750-1000 words. Submit to Turnitin.com
I. Your thoughts and reactions
II. What made it so emotional?
III. How is it different?
IV. Did you like it? Explain.
October 22: Bicycle Thieves Essay due by 8:00 a.m.
In class: What gives your life meaning? What's the purpose? What is YOUR purpose?
Watch Existentialism: Crash Course Philosophy #16
October 24:
Read the following 3 articles: The Seventh Seal Analysis and Ebert's Great Films Review of The 7th Seal and 7 Reasons to Watch The 7th Seal
Answer: Based on the 3 articles, what makes The 7th Seal a great film? What do the critics say about the direction, acting, and the allegory? Submit to Turnitin.com by 8:00 a.m.
In class: Finish The Seventh Seal.
Watch The Seventh Seal: A Most Life-Affirming Movie About Death and The Seventh Seal - Kierkegaard's Knight of Faith
Answer: What did you think of the film? What stood out to you stylistically? Discuss The 7th Seal as an allegory of life and death. What does the film have to say about human nature and how we cope with death? 3 Paragraphs. Submit to Turnitin.com
October 28:
In class:
Read: What is the French New Wave and watch Breaking The Rules - The French New Wave
Read WHAT IS AESTHETICS IN FILM?
Color Theory and Wes Anderson's Style
The Beautiful World of Wes Anderson
The Wonderful Story of Henry Sugar and Three More Trailer
The Beauty Of Quentin Tarantino
What were the groundbreaking elements of the French New Wave and what were the philosophies behind it? How does the artistic philosophy of aesthetics apply to the French New Wave? Submit to Turnitin.com
October 30:
Begin Amelie
November 4:
Finish Amelie
Write a response to Amelie. 3 paragraphs. 1) Write a personal response to the film. 2) Discuss the film's aesthetics 3) Choose 1 theme from the film and discuss the film's thematic message, highlighting sensibilities. Submit to Turnitin.com
Read: The 21st Anniversary of ‘Amelie’ and An Appreciation of The French New Wave
November 6:
In class, watch:
Color analysis of the film "Amélie"
Amélie - Symmetry & Camera Movement
Why many filmmakers steal from Amélie
Happiness as a Theme in Amelie
Amélie: Riding the French New Wave
What additional insights do you have regarding Amelie after watching all the videos above? What are some aesthetic and sensibility concepts you had not really thought of before? Submit to Turnitin.com.
Begin Hero
November 13:
In class: Finish Hero.
A Look At The Color Narrative In “Hero”
Zhang Yimou Hero (2002) - Composition by Akira Kurosawa
Hero (2002) | Debating Chinese History, Politics & Society
November 15
Respond to Hero.
1)What did you think? What stood out to you?
2)Discuss the film from an aesthetics perspective. How is the aesthetic style artistically different from the films we have seen so far?
3) Discuss the narrative approach the film employs.
4) Discuss the film's sensibilities (philosophies and political statement.
Submit to Turnitin.com by 8:00 a.m
In class:
Watch Background Knowledge for Persepolis
Begin Persepolis
November 19 :
Finish Persepolis
Persepolis - A silhouette of oppression and displacement
Persepolis - Exclusive: Marjane Satrapi
Respond to the film. What did you think? What did you learn? Discuss the artistic choice of animation instead of live action.
November 21:
In class Essay on World Cinema
THANKSGIVING BREAK
December 2:
Begin: Sunset Blvd.
December 4:
In class:
Finish Sunset Boulevard
Watch:
Screenwriting Masterclass: Billy Wilder's Sunset Boulevard
Sunset Boulevard Explained: The Hollywood Nightmare
Sunset Blvd. at 70: Broken Dreams
Read
Sunset Boulevard: what Billy Wilder's satire really tells us about Hollywood
Roger Ebert Review: Sunset Boulevard
Answer: What did you think of the film? Based on the videos and the two articles, discuss the statement Sunset Blvd makes about the art AND the business of filmmaking? (3 paragraphs) Submit to Turnitin.com by 8:00 a.m. on May 6/7
December 6: Sunset Blvd. response due by 8:00 a.m.
In class: Begin Cinema Paradiso
December 10:
In class:
Finish Cinema Paradiso
Why You Should Watch CINEMA PARADISO (1st 4 minutes) and The Beauty Of Cinema Paradiso
Simpsons pays homage to Cinema Paradiso
4 paragraphs.
What did you think of the film? What stood out to you?
Discuss the style (aesthetics) and how mood and tone are achieved (appeal to sensibilities).
What does the film say about the IMPORTANCE of movies to both the individual and the community?
Respond to the following quote from Alfredo:
"Living here day by day, you think it's the center of the world. You believe nothing will ever change. Then you leave: a year, two years. When you come back, everything's changed. The thread's broken. What you came to find isn't there. What was yours is gone. You have to go away for a long time... many years... before you can come back and find your people. The land where you were born."
Submit to Turnitin.com by 8:00 a.m. May 12th.
December 12:
Cinema Paradiso response due by 8:00 a.m.
In class: Watch Martin Scorsese on Why We Preserve Film
Begin Hugo
December 16:
In class: Finish Hugo
Hugo”: Martin Scorsese’s Cybercinema
Hugo and the magic of film trickery
Hugo, Remediation, and the Cinema of Attractions, or, The Adaptation of Hugo Cabret
Hugo - A Love Letter to Cinema
Answer: Based on the three articles, explain how Martin Scorsese uses classic film techniques in a wholly modern and unique way. (300 words).
What has been your favorite film this semester? Why? What has been your least favorite film? Why? Which film surprised you the most? Why? Submit to Turnitin.com by 8:00 a.m.
December 19:
Final Exam
Week 15
Tues. NApril 21: Read: Hero: Narrative Analysis
Thurs. Nov. 14: Read: Hero (Film Quarterly)
Week 16
Mon. Nov. 18: Read Run, Lola, Run Analysis and Activities Due: Choose 3 of the tasks to complete (1 paragraph per task).
Weds. Nov. 20:
Fri. Nov. 22: World Cinema In-Class Essay
WEEK 17: THANKSGIVING
Week 18
Tues. Dec. 3:
Thurs. Dec. 5: Read: Reasons Hitchcock is Great and THE PHENOMENAL INFLUENCE AND LEGACY OF ALFRED HITCHCOCK
Week 19
Mon. Dec. 9: Read: Strangers on a Train Analysis and interview with Hitchcock, and Roger Ebert's Review of Strangers on a Train
Weds. Dec. 11: Read: Sunset Blvd:what Billy Wilder's satire really tells us about Hollywood and Billy Wilder's Rules of Good Filmmaking
Fri. Dec. 13: Read: Where to start with the films of Billy Wilder and
Major Schools of Literary Theory
Questions to ask for Theory Analysis
Introduction to German Expressionism
Read: Cinema Paradiso and Cinema Paradiso and the Seventh Art
City Lights
Un Chien Andalou (An Andalusian Dog)
The Cameraman
Jules and Jim
Hero
Run, Lola, Run
Howl's Moving Castle
Sunset Blvd.
Cinema Paradiso
Across the Universe
The Good, The Bad, and the Ugly
On SWANK
Singing in the Rain
2001 Space Odyssey
E.T.
Casablanca
Dr. Strangelove
Catch Me if You Can
Hugo
WEEK 20
May 22/23:
Hugo - A Love Letter to Cinema
Discuss 2 of the following aspects from the film Hugo: 1) How characters are developed through dialogue. 2) How creative direction creates suspense. 3) How cinematography creates/sets both mood and tone. 4) How editing is employed in non-linear story telling.
Hugo assignment due by 8 a.m. on Friday, May 20, to Turnitin.com.
Describe a scene that pokes fun at Hollywood films. Consider the three films we viewed (Bicycle Thieves, The 7th Seal, and Breathless). Discuss how Italian Neo-Realism, Swedish Art-House, and French New Wave schools of filmmaking were all products of post-war Europe AND reactions against established styles of filmmaking. Which film did you like the most? Why? Which film did you like the least? Why?
Write a response to Cinema Paradiso. 4 paragraphs. 1) Write a personal response to the film. 2) Respond to the articles as they relate to the universality of the communal film viewing experience. 3) Discuss the film's aesthetics (style). 4) Choose 1 theme from the film and discuss the film's thematic message highlighting sensibilities. Submit to Turnitin.com by 8 a.m., April 26/27.
Finish Howl's Moving Castle
The Immersive Realism of Studio Ghibli
Hayao Miyazaki: What You Can Imagine
What did you think of the film? What stood out to you? What are the film's sensibilities and perspective of those sensibilities?
Begin Breathless
Week 15
April 15/16:
In class: Finish Breathless
Respond to Breathless. What did you think of the film? What film techniques were employed that could be considered "New Wave."
April 17/18:
In class essay:
Consider the three films we viewed (Bicycle Thieves, The 7th Seal, and Breathless). Discuss how Italian Neo-Realism, Swedish Art-House, and French New Wave schools of filmmaking were all products of post-war Europe AND reactions against established styles of filmmaking. Which film did you like the most? Why? Which film did you like the least? Why?
Writing Prompt
In this unit concerning World Cinema, we have seen seminal films from a wide variety of cultures and artistic film movements. We viewed The Bicycle Thieves, The Seventh Seal, Amelie, and Hero. All of these films are artistically and thematically very different from typical Hollywood studio films. Discuss the various story telling devices (structure, character development, plot), artistic approaches, aesthetics, and themes that seem original, unique, and/or surprising to you. Discuss the aspects of each film that seem unique to that particular artistic movement. How has your understanding of world cinema changed over the course of this unit?
Using the films Cinema Paradiso, Sunset Blvd., Hugo and two other films we viewed this semester, discuss many of the concepts we have studied concerning literary theory, genre, character development, artistic statement, and director style. In other words, use these films to demonstrate how film can be studied as an important literary art form. In your last few paragraphs, discuss what Cinema Paradiso, Sunset Blvd. and Hugo are saying about the world of cinema (the art, technology, and business).
The Kid
Sherlock Jr.
Safety Last
Sunrise, A Song of Two Humans
Metropolis
Strangers On a Train
Across the Universe
The Good, The Bad, and The Ugly
Bicycle Thieves
The 7th Seal
Cinema Paradiso
Amelie
Hero
Sunset Blvd.
Hugo
